The high rise is brand new, as if it’s just been unsheathed from shrink wrap. Near the top, a screenwriter called Adam (Andrew Scott, never more soulful) fritters away his days, surrounded by vacant flats bought as investments, and enveloped by a glittering view of London so majestic it only intensifies his aloneness in the world. He was 12 when his parents died in a car crash.
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